How does one interpret (or write) scientific pitch notation with accidentals when it crosses octave...
Given C♭♭4, for example, is that enharmonic with B♭3 (because you start at C4 and flat it twice) or B♭4 (because octave number 4 means octave number 4)?
Asked another way, how do you write the note below in scientific pitch notation?
I'm just wondering from a theoretical perspective.
theory accidentals pitch
edited 5 hours ago
Richard
39.8k689172
asked 10 hours ago
trwtrw
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add a comment |
Given C♭♭4, for example, is that enharmonic with B♭3 (because you start at C4 and flat it twice) or B♭4 (because octave number 4 means octave number 4)?
Asked another way, how do you write the note below in scientific pitch notation?
I'm just wondering from a theoretical perspective.
theory accidentals pitch
edited 5 hours ago
Richard
39.8k689172
asked 10 hours ago
trwtrw
2,047822
add a comment |
Given C♭♭4, for example, is that enharmonic with B♭3 (because you start at C4 and flat it twice) or B♭4 (because octave number 4 means octave number 4)?
Asked another way, how do you write the note below in scientific pitch notation?
I'm just wondering from a theoretical perspective.
theory accidentals pitch
edited 5 hours ago
Richard
39.8k689172
asked 10 hours ago
trwtrw
2,047822
Given C♭♭4, for example, is that enharmonic with B♭3 (because you start at C4 and flat it twice) or B♭4 (because octave number 4 means octave number 4)?
Asked another way, how do you write the note below in scientific pitch notation?
I'm just wondering from a theoretical perspective.
theory accidentals pitch
theory accidentals pitch
edited 5 hours ago
Richard
39.8k689172
asked 10 hours ago
trwtrw
2,047822
edited 5 hours ago
Richard
39.8k689172
asked 10 hours ago
trwtrw
2,047822
edited 5 hours ago
Richard
39.8k689172
edited 5 hours ago
Richard
39.8k689172
edited 5 hours ago
Richard
39.8k689172
39.8k689172
asked 10 hours ago
trwtrw
2,047822
asked 10 hours ago
trwtrw
2,047822
asked 10 hours ago
trwtrw
2,047822
2,047822
add a comment |
add a comment |
1 Answer
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Follow the note name. Add accidentals later.
Begin by acknowledging that this pitch is some type of C4. Then add accidentals to show that it's C♭♭4.
This is a little strange, because (as you say) C♭♭4 is lower than B3. But that's no more odd than saying any C♭♭ is lower than its nearest B.
And the same is of course true going the other way: B♯3, despite being enharmonic to C4, is nevertheless identified in the "3" register.
answered 10 hours ago
RichardRichard
39.8k689172
2
Makes sense. Guess you don't really need double accidentals to have this question.
– trw
10 hours ago
3
I think it helps the question to have the two pitches sounding the same. If it's only C♭, it's still above B♭, so the question of "why is 4 higher than 3?" isn't as problematic.
– Richard
10 hours ago
I'll get bellyache from laughing :) up vote!
– Albrecht Hügli
10 hours ago
add a comment |
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1 Answer
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1 Answer
1
active
oldest
votes
active
oldest
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active
oldest
votes
Follow the note name. Add accidentals later.
Begin by acknowledging that this pitch is some type of C4. Then add accidentals to show that it's C♭♭4.
This is a little strange, because (as you say) C♭♭4 is lower than B3. But that's no more odd than saying any C♭♭ is lower than its nearest B.
And the same is of course true going the other way: B♯3, despite being enharmonic to C4, is nevertheless identified in the "3" register.
answered 10 hours ago
RichardRichard
39.8k689172
2
Makes sense. Guess you don't really need double accidentals to have this question.
– trw
10 hours ago
3
I think it helps the question to have the two pitches sounding the same. If it's only C♭, it's still above B♭, so the question of "why is 4 higher than 3?" isn't as problematic.
– Richard
10 hours ago
I'll get bellyache from laughing :) up vote!
– Albrecht Hügli
10 hours ago
add a comment |
Follow the note name. Add accidentals later.
Begin by acknowledging that this pitch is some type of C4. Then add accidentals to show that it's C♭♭4.
This is a little strange, because (as you say) C♭♭4 is lower than B3. But that's no more odd than saying any C♭♭ is lower than its nearest B.
And the same is of course true going the other way: B♯3, despite being enharmonic to C4, is nevertheless identified in the "3" register.
answered 10 hours ago
RichardRichard
39.8k689172
2
Makes sense. Guess you don't really need double accidentals to have this question.
– trw
10 hours ago
3
I think it helps the question to have the two pitches sounding the same. If it's only C♭, it's still above B♭, so the question of "why is 4 higher than 3?" isn't as problematic.
– Richard
10 hours ago
I'll get bellyache from laughing :) up vote!
– Albrecht Hügli
10 hours ago
add a comment |
Follow the note name. Add accidentals later.
Begin by acknowledging that this pitch is some type of C4. Then add accidentals to show that it's C♭♭4.
This is a little strange, because (as you say) C♭♭4 is lower than B3. But that's no more odd than saying any C♭♭ is lower than its nearest B.
And the same is of course true going the other way: B♯3, despite being enharmonic to C4, is nevertheless identified in the "3" register.
answered 10 hours ago
RichardRichard
39.8k689172
Follow the note name. Add accidentals later.
Begin by acknowledging that this pitch is some type of C4. Then add accidentals to show that it's C♭♭4.
This is a little strange, because (as you say) C♭♭4 is lower than B3. But that's no more odd than saying any C♭♭ is lower than its nearest B.
And the same is of course true going the other way: B♯3, despite being enharmonic to C4, is nevertheless identified in the "3" register.
answered 10 hours ago
RichardRichard
39.8k689172
answered 10 hours ago
RichardRichard
39.8k689172
answered 10 hours ago
RichardRichard
39.8k689172
answered 10 hours ago
RichardRichard
39.8k689172
39.8k689172
2
Makes sense. Guess you don't really need double accidentals to have this question.
– trw
10 hours ago
3
I think it helps the question to have the two pitches sounding the same. If it's only C♭, it's still above B♭, so the question of "why is 4 higher than 3?" isn't as problematic.
– Richard
10 hours ago
I'll get bellyache from laughing :) up vote!
– Albrecht Hügli
10 hours ago
add a comment |
2
Makes sense. Guess you don't really need double accidentals to have this question.
– trw
10 hours ago
3
I think it helps the question to have the two pitches sounding the same. If it's only C♭, it's still above B♭, so the question of "why is 4 higher than 3?" isn't as problematic.
– Richard
10 hours ago
I'll get bellyache from laughing :) up vote!
– Albrecht Hügli
10 hours ago
2
2
Makes sense. Guess you don't really need double accidentals to have this question.
– trw
10 hours ago
Makes sense. Guess you don't really need double accidentals to have this question.
– trw
10 hours ago
3
3
I think it helps the question to have the two pitches sounding the same. If it's only C♭, it's still above B♭, so the question of "why is 4 higher than 3?" isn't as problematic.
– Richard
10 hours ago
I think it helps the question to have the two pitches sounding the same. If it's only C♭, it's still above B♭, so the question of "why is 4 higher than 3?" isn't as problematic.
– Richard
10 hours ago
I'll get bellyache from laughing :) up vote!
– Albrecht Hügli
10 hours ago
I'll get bellyache from laughing :) up vote!
– Albrecht Hügli
10 hours ago
add a comment |
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